A subtle revolution is taking over at the heart of London’s Tate Modern. Nigeria’s colours, textures and story are woven into canvas at the exhibition of “Nigerian Modernism”. This exhibition isn’t a regular show, it’s rewriting history. It’s the showcase of art buried for decades and an introduction of the old to the new.
With paintings that existed from the 1940s till present, the exhibition is a stunning display of originality, and tenacity. Every piece tells the Nigerian history from colonial era to the post independence era. From the striking abstracts of Uche Okeke and Ben Enwonwu to the rich narratives of Bruce Onobrakpeya and Susanne Wenger, each piece carries the weight of the nation.
Beyond the artistic prowess, Nigerian Modernism is a time of introspection for a generation absorbing her history. It serves as a reminder that African innovation does not need approval from international organizations; rather, this recognition validates the value of authenticity. Once seen through the prism of “exoticism,” Nigerian art is now a powerful intellectual and artistic influence on modern culture.
This show honors the women in the creative industry. Those whose contribution to Nigeria’s art were often overlooked. This includes the instructors, curators, textile artists, and cultural historians who have helped to preserve our artistic legacy. Photographers, designers, and filmmakers of today are being urged to continue to tell stories that are truthful, grounded, and unashamedly Nigerian.
What’s more inspiring is the way that this new development reflects Nigeria’s wider cultural ascent. From fashion events in Lagos to Afrobeats performances in Paris, Nigeria’s innovation is fully embraced globally. Art now serves as a mirror and a bridge, revealing the boundless possibilities of the future while also connecting us to the past.
In a time where trends are frequently determined by algorithms, Nigerian Modernism encourages us to take a moment of reflection, to see how history, feeling, and identity are portrayed in art. To also see ourselves through the lenses of our own culture rather than using definitions that we have adopted.
One thing is evident as tourists pass through the bleached hallways of the Tate, surrounded by pieces that capture the essence of Benin, Nsukka, and Lagos: Nigeria is not merely taking part in, but redefining, global modernity.
By Oyindamola Sedara,
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